Insider: You’ve built some of Warsaw’s most iconic destinations. What does summer in Warsaw mean to you personally—and how do you want people to feel when they visit one of your places?

Summer in Warsaw is a beautiful kind of chaos—long days that blur into wild nights, full of energy across the city. For me, it’s the season when everything feels possible. When someone walks into one of our places, I want them to feel like they’ve entered a world that doesn’t follow the usual rules—a space where you can let go, connect, be surprised. It’s about offering something that sits between nostalgia and discovery—something real, and a little bit surreal.

Each of your venues has its own spirit—Niebo feels almost mythic, while Nocny Market is gritty and electric. How do you decide what kind of atmosphere a place should have?

It always starts with the space itself—its history, its architecture, its imperfections. Niebo was never meant to be just a club; it felt more like a cathedral for shared experiences, so we leaned into that mysticism. I don’t believe in forcing an identity onto a venue. We try to listen to what the space wants to become, and then invite the right people to shape it—DJs, artists, the community. It’s always a dialogue, mixed with a bit of chaos.

Lunapark has become a staple of Warsaw summers. What’s the secret to keeping it fresh while holding onto that sense of chaotic fun?
Lunapark was never meant to be polished or perfect—it thrives on spontaneity, on that feeling that anything could happen. Every season, we rebuild parts of it, reimagine corners, and bring in new crews, new sounds, new energy. We treat it like a living organism, not a fixed brand. And we’re not afraid to take risks. Sometimes things fail—but failure is part of the chaos. That’s what keeps it alive. People don’t come for a perfect night—they come for a real one.

Many would say you helped redefine Warsaw nightlife. Do you see yourself more as a cultural entrepreneur, or someone simply following instinct?
Honestly, I’ve never liked titles. I follow the feeling. If something excites me or keeps me up at night, I chase it. Of course, there’s strategy behind it, but it always starts with instinct—with sensing when a city is hungry for something new and being brave enough to build it. If that makes me a cultural entrepreneur, so be it. But at heart, I’m just someone who loves creating spaces where people feel alive.

Warsaw’s summer vibe is changing—more open-air events, more pop-ups, more energy. What excites you most about the direction the city is heading?
I love that things are becoming more spontaneous and decentralized. It’s not just about one big club anymore—it’s rooftops, riversides, backyards, bridges. There’s a kind of creative democracy in that.

What’s something that’s never changed about Warsaw’s partygoers, no matter how many years or venues pass?

Warsaw has always danced with its whole heart. There’s a rawness, a vulnerability here—people go out not just to party, but to feel something. Whether it’s techno at 4 a.m. or a pop concert on a summer night, there’s always this deep emotional charge. That’s never gone away.

Finally—when you’re not working, where do you go to enjoy the summer yourself? Give us your personal pick or hidden favorite.
I try to disappear into the city—not as a host, just as someone soaking it in. Honestly, my favorite summer moments happen on quiet weeknights, when the city slows down: a table outside a bar, friends, no music—just stories. That’s the kind of magic I live for.