From Cuban son and Portuguese fado to Korean improvisation and the sounds of the Kazakh steppe, one of Warsaw’s most distinctive festivals returns with an expanded program celebrating how traditional music continues to evolve
From Cuban son and Portuguese fado to Korean improvisation and the sounds of the Kazakh steppe, one of Warsaw’s most distinctive festivals returns with an expanded program celebrating how traditional music continues to evolve
Warsaw’s 22nd Skrzyżowanie Kultur (Crossroads of Cultures) Festival returns to the Dramatic Theatre from September 11–13, bringing together internationally acclaimed artists whose music bridges heritage and innovation. Organized by Stołeczna Estrada, this year’s edition introduces a second stage for the first time, alongside artist workshops, film screenings, and discussion panels that invite audiences to engage with cultures beyond the concert hall.
Rather than presenting folk music as a museum piece, the 2026 festival explores how tradition continues to inspire contemporary artists. The theme, New Faces of Tradition, highlights performers who reinterpret the musical languages of their countries while remaining deeply connected to their roots.
The festival opens on Friday, September 11, with two outstanding European performers. Finnish accordion virtuoso Antti Paalanen transforms his instrument into something closer to an industrial soundscape, blending folk traditions with minimalism, experimental music, and rock energy. He is followed by Carminho, one of Portugal’s leading contemporary fado singers, whose collaborations and international performances have helped bring the genre to new audiences around the world.
Saturday shifts the focus east with Turan, the acclaimed Kazakh ensemble whose five musicians perform on dozens of traditional instruments while creating bold, contemporary arrangements inspired by the Great Steppe. Finnish folk legends Värttinä complete the evening, bringing their celebrated interpretations of Karelian song traditions to Warsaw.
The festival closes on Sunday with two remarkable acts. Trio da Kali offers a fresh take on Mali’s Mande musical heritage before legendary Cuban guitarist and singer Eliades Ochoa, a founding member of the Buena Vista Social Club, brings the festival to a fitting finale with the timeless sounds of Cuban son.
A major addition for 2026 is the Small Stage, where visitors can enjoy intimate afternoon performances and family workshops. South Korean composer Dasom Baek explores traditional Korean instruments through improvisation on Saturday, while Canadian Indigenous artist Shauit performs in the Innu language on Sunday before leading workshops celebrating Indigenous culture and self-expression.
Beyond the music, the festival also includes film screenings presented with Kinoteka and discussion panels examining the changing role of traditional music in today’s cultural landscape. As festival program director Prof. Maria Pomianowska notes, folk music has become less about recreating the past and more about experimentation, innovation, and finding new audiences.
22nd Skrzyżowanie Kultur Festival
September 11–13, 2026
Teatr Dramatyczny & Kinoteka
Tickets are available through Stołeczna Estrada